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Mona is sitting in the morning-room, the faithful and ever lively Nolly at her side. According to his lights, she is "worth a ship-load of the whole lot," and as such he haunts her. But to-day she fails him. She is absent, depressed, weighed down with thought,—anything but congenial. She forgets to smile in the right place, says, "Yes" when courtesy requires "No," and is deaf to his gayest sallies.,

"How dare you find a defect in my appearance?" says Mona, with her old gay laugh. "You compel me to retaliate. Just look at yourself. Did you ever see such a regular pickle as you are?",

"Now," said the Thunder, "you know me. I have great power. In summer I live here; but when winter comes I go far south. I go south with the birds. Here is my pipe. It has strong power. Take it and keep it. After this, when first I come in the spring you shall fill this pipe and light it, and you shall smoke it and pray to me; you and the people. I bring the rain which makes the berries large and ripe. I bring the rain which makes all things grow, and for this you shall pray to me; you and all the people.",

"Oh, I dare say! I am not sure," says Lady Rodney, pettishly, who is rather annoyed at the idea of his going to Ireland, having other plans in view for him.

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She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.",

"I was in your country, the other day," he says, pushing Mona's skirts a little to one side, and sinking on to the ottoman she has chosen as her own resting-place. "And a very nice country it is.",

Mona tries to say something,—anything that will be kind and sympathetic,—but words fail her. Her lips part, but no sound escapes them. The terrible reality of the moment terrifies and overcomes her.